What I always liked about The
Association’s music was the perfect balance.
On one hand it really was an association, a seemingly faceless group with
beautiful airy vocals, occasionally one voice taking the lead out of a cloud of
ethereal and majestic harmonies. On the other
hand, the music was varied and direct enough that it didn’t float away and
leave no further impression.
The varied arrangements of
their records coupled with the great songwriting of both band members and outside
songwriters made for some truly timeless classic albums. When they did make some music that was
inferior in comparison, it was largely due to a breakdown in the latter rather than the former.
This is because every Association
record sounds great – what with what I said about the vocals, also the use of
strings and guitars and various studio touches.
Effortlessly lush in every groove.
My reflection on the
Association’s discography (Listed by preference)
BIRTHDAY
For many years, INSIGHT OUT
was my favorite Association album but that changed when I listened to their re-mastered
discography with headphones. BIRTHDAY,
their fourth record and the one immediately after INSIGHT, finds the
Association grappling with psychedelia in a much more comfortable way than a
lot of their peers and it has an absolutely gorgeous sound even now. Maybe this was because the sunshine pop
movement was already halfway there?
There is nothing slyly poppy here.
These are big songs full of giant verse-chorus structures. Moments of vocal drama are wrung out of every
rising chorus, every giant fade-out. Their
best record contains one knockout track after another – Toymaker, Everything
That Touches You, Rose Petals, Incense and a Kitten, Barefoot Gentleman, Hear in Here, and
Time for Livin’ (which should have been a much bigger hit)....A masterpiece!
INSIGHT OUT
My favorite until moved to
second behind BIRTHDAY. Bolder version
of their first two records with better studio craft and more diverse arrangements
and instrumentation from traditional radio fare such as Windy and Never My
Love to the sitar driven Wantin’ Not Gettin’ to the Gregorian chant enhanced Requiem for
the Masses. Not a bad song here really. Also a masterpiece.
THE ASSOCIATION
The group’s self-titled fifth
record changes their music up slightly with some small country touches such as
a banjo and pedal steel guitar as well as more guitars acoustic and
electric. The lyrics are more reflective
of what’s going on and the overall tone is more world weary. However, this is still The Association and
there are plenty of pretty vocal moments and orchestral magnificence. The songwriting is driving the music here and
this is a superb bunch of songs – Dubuque Blues, Goodbye Forever, The Nest, Love
Affair.
AND THEN...ALONG COMES THE
ASSOCIATION, RENAISSANCE
What’s surprising about the
first two Association releases in retrospect is how stripped down they are in comparison
to their subsequent records. It’s the
vocals that elevate the music here which is largely guitar, bass, drums, with
the odd keyboard. RENAISSANCE may be
ever so slightly stronger songwise (Looking Glass, Pandora’s Golden Heebie
Jeebies, Memories of You) but their first one has the monster hits Cherish and
Along Comes Mary and a youthful energy that is amazingly down to earth.
STOP YOUR MOTOR
Carrying the light country
touches of THE ASSOCIATION onwards and
making a connection to the faceless beauty of early 70’s AM radio, there are
many things I like about this record but sentimentality and the smell of
product unfortunately start to inhibit the feel of the music.
THE REST OF THEIR RECORDS (WATERBEDS
IN TRINIDAD, GOODBYE COLUMBUS, VARIOUS POST-BAND RELEASES)
WATERBEDS IN TRINIDAD, the
last of the original Association releases, shows a group fraying around the
edges and consumed by studio overproduction.
There are a few good songs here but overall lifeless and bland. In between, BIRTHDAY and THE ASSOCIATION,
they did the soundtrack for the movie GOODBYE COLUMBUS featuring four songs of
which only It’s Gotta’ Be Real is more than just average. The rest is amiable aural wallpaper –
Association instrumentals. Over the years, various versions of The
Association have cut records consisting
of cover versions of sixties hits as well as re-recordings of their own
songs. I’ve never heard any of these
records but I imagine they are best avoided.
Probably the most intriguing
musical tidbit about the Association is after WATERBEDS, the band recorded
another record tentatively titled THE ASSOCIATION BITES BACK. It was never released although was rumored to
have more of a R&B sound as a few leaked tracks to YouTube show.