The action in the first two
volumes of THE BURU QUARTET, THIS EARTH OF MANKIND and CHILD OF ALL NATIONS by
Pramoedya Ananta Toer largely revolves around the treatment of Indonesians (and
here they are sub-groups – those identified as natives as well as Javanese and
others) by their Dutch colonizers. It is set in the very beginning of the last century.
The hero, Minke, is a native
but the son of a prominent local official.
In THIS EARTH OF MANKIND, he is attending a private international
boarding school where he hobnobs with the children of other wealthy locals and
also the children of ex-pat Dutch officials.
He meets and falls in love with Annelies, the beautiful half-Dutch daughter
of the concubine Nyai Ontosoroh. He
moves in with them and that starts a series of events that end in tragedy.
The second book, CHILD OF ALL
NATIONS, allows its characters to have a dignified closure from the events of
the first book. The most impressive
thing about these two books is the way the ending of the first book while not
reversed is almost totally redeemed by the ending of the second book in that it
grants its characters dignity.
Minke writes borderline subversive newspaper articles under a
pseudonym and his life with Annalies (whom he marries) and her mother mirror his awakening
to the total unfairness on every level of the Dutch colonial system where
Indonesians who give birth to half-caste children effectively lose the title of
mother through the law as it only recognizes the Dutch parent.
Also discussed is the sugar
plantation system and how it uproots local farmers and then forces them to work
as free labor. The position of the Chinese
immigrant in Indonesia is also touched on.
I think perhaps that will be a bigger theme in the third volume.
I’ve met a few people while
living in Malaysia, foreigners, Europeans, who say Indonesia was better off
under colonialism. They don’t know what
they are talking about. As Minke is
based on the life of a famous Indonesian revolutionary, I’m looking forward to
the next few books where comes of age and fights back.
Toer is a great writer. He knows his characters. He also likes his characters. Even after making them suffer horribly, he
wants to give them if not a happy ending a feeling of happiness with themselves. This is a tremendous story and I want to see
how he connects this all to the growth of Indonesia. On to the third book!
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