The
notion that the Japanese (and the Germans too) produce a ridiculous amount of perverse
pornography is as much a part of popular culture as the common image of
Americans as obese and stupid.
The 1991
film OORU NAITO RONGU or, as it’s known in the West, ALL NIGHT LONG has all the
earmarks of stereotyped Japanese perversity – graphic bloody murder, rape, porno-type
sexuality, sadistic violence, and a general overall feeling of unhealthy
weirdness.
Its
status as a cult film is based on its perception by film fans (mostly those who
haven’t seen it I imagine) as a sort of Japanese STRAW DOGS or I SPIT ON YOUR
GRAVE but I think it’s a lot more than that.
The
three main characters, a wealthy college dropout, a nerdy brainy student, and
an average joe vocational school student meet by accident at a train crossing
where occurs a scene of grisly violence- a crazy man attacks and kills a young
woman with a knife, a random attack as he does not know her. The three soon to be friends make no effort
to save her and only get involved when the crazy man tries to attack them.
Eventually,
their association leads to a brutal rape and then revenge violence taken in
turn and the deaths of two out of the three heroes.
So
what are we supposed to make of all this?
Well
first off, revenge movies in which something terrible happens to the narrator
and he spends the rest of the film exacting revenge against those who have wronged
him so that’s all there is aren’t so much movies but titillating exercises in
violence and sex that have the audience conditioned to respond at certain
moments.
However,
ALL NIGHT LONG is a more complex animal. This
is a movie about aloneness in a highly developed society. Many of the exterior shots are of wide open
spaces but without many people around (surprising when you consider how crowded
Japan seems to be). Much of the action
takes place by the ocean and a lot seems like an illusion. The end does hint that the whole film might
be occurring in the brain of the nerdy student.
Another
thing about this film are the really twisted secondary characters especially
the evil rich tease girl the dropout meets and Tamae, the twitchy fat student
with the ability to talk any woman into doing perverse things.
All in
all, quite a good film, an unsettling but still interesting take on youth, frustration,
violence, and perception.
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