The
setting of THE TEN THOUSAND THINGS by Maria Dermout is a place where the
natural world and the supernatural world entwine naturally to a point where the
difference is no longer discernible. The
story’s exact location may be the Moluccas islands of Indonesia where Felicia,
the Dutch heroine, lives as a child then comes back to later as a mother with a
child of her own, but the feel is otherworldly.
Ghosts
in particular predominate the landscape. They are treated as nothing more
exotic than the local wildlife. Omens,
dreams, predictions, all matter of superstitious paraphernalia are encountered without
any sense of surprise.
I
would describe THE TEN THOUSAND THINGS as being written in the magic realism
style but with enough realistic detail to make me wonder if there isn’t a
semi-memoir in there somewhere. Unlike a
lot of books written in the magic realism style, I never lost track of what was
going on.
Dermout,
who wrote only two books in her life, is especially impressive when describing
scenery. The scene in which Felicia
sights several colorful sea turtles which she later finds out is the exact same
time her teenage soldier son is killed in combat is amazing and I can almost
see those colors appear to blind me with their brightness.
In
addition, the end where Felicia welcomes the ghosts of several characters
who’ve died during the story including her son into her garden is moving and
really does a good job of tying together a seemingly disparate novel.
This
is beautiful, mysterious prose filled with clarity despite the book’s unreal
elements. A unique work unlike anything
I’ve ever read. I’d dare to call it a
masterpiece.
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