THE ABSENT

THE ABSENT
THE ABSENT - out now!

CRIPPLED HEARTS

CRIPPLED HEARTS
Out Now - For sale on Amazon and other onlne book sellers

SOLIDARITY WITH THE FLESH EATING MOSAIC AND OTHER POEMS by Raj Dronamraju

SOLIDARITY WITH THE FLESH EATING MOSAIC AND OTHER POEMS by Raj Dronamraju
Out Now

THE RETURN OF THE MAGNIFICENT NINNY AND OTHER POEMS by Raj Dronamraju

THE RETURN OF THE MAGNIFICENT NINNY AND OTHER POEMS by Raj Dronamraju
My first book of poetry available through Amazon and other online booksellers www.rajbooks.com

Thursday, May 3, 2012

ON POEMS OF LONGER LENGTH - EXAMPLE: THE FURIES BY STEPHEN SPENDER


Recently, my father sent me a volume of Stephen Spender’s poetry.  I’m a huge fan of Spender as I wrote before here http://rgdinmalaysia.xanga.com/689505456/some-thoughts-on-stephen-spenders-poetry/

This particular collection has a poem in it I’d not read before entitled THE FURIES.  It is a lengthy poem, five pages in total, and deals with an upper class mother‘s attempts to shield her son from the world and the son’s eventual death in combat during a war.

Lengthy poems are tricky.  The longest one I’ve ever written is a page and a half. It is only my opinion but I consider part of the challenge of writing poetry to be brevity.  Keeping it brief is a consideration of the form.

But that’s not to say there aren’t good long poems.  I like a lot of TS Eliot’s longer poems and back to THE FURIES....Spender has divided the verse into three parts.  He is telling a story so this is a function of relating narrative.  The length helps create the dichotomy between the safe world of the mother’s estate with its details of canned hunting trips and a safe but dull bride for the son and the last section wherein the boy goes out to serve his country away from a situation his mother can control and gets killed.

The last image is of the corpse of the son on the battlefield his eyes “at last wide open”.  That’s a striking final image....Death showing someone what life really is but does the poem need to be this long?

 Well it’s a good poem but probably not.  The verbiage does not get in the way but there probably could be less of it.  I understand why there is so much though because I do it myself – The pile-on effect of adding more and more details is fun and addictive for both the reader and the poet.  

   

Monday, April 30, 2012

70'S REVIEW PROJECT - MOTT THE HOOPLE - MOTT, CAN - EGE BAYAMSI, QUEEN - A NIGHT AT THE OPERA, TALKING HEADS - 77, VAN MORRISON - MOONDANCE


MOTT by Mott the Hoople (1973) The best record ever made where the theme is music as a career when you are not the guy on top.  The hard life of a touring band ironically played by a band at their musical peak. “I Wish I Was Your Mother” and “The Ballad of Mott” on side 2 are heartbreakers- The former predicts the punk rock dead end mindset, the latter the ultimate expression of resignation in rock and roll a “loser’s game” but one the singer cannot quit. 



EGE BAMYASI by Can (1972) If any Can record could ever be called accessible to the listener it’s this one.  Not as innovate or as powerful as TAGO MAGO but a lot more fun.  Damo Suzuki seems to be taking his medication which is a good thing.



A NIGHT AT THE OPERA by Queen (1975) Any record that can contain both Death on Two Legs and Love of My Life, The Prophet’s Song and God Save the Queen not to mention the show stopping spectacle that is Bohemian Rhapsody is worth the name of royalty.  Queen’s finest hour. 



77 by Talking Heads (1977) The jittery power of this impressive debut is in David Byrne’s irony or not statements – Don’t Worry About the Government, The Book I Read etc. Meanwhile, The Heads nervously tug at the rhythm as if it was pizza dough.



MOONDANCE by Van Morrison (1970) Buoyed by the deep soulful power of his voice and nimble pop jazz instrumentation, Van Morrison keeps one foot in the mystic and one in a world where he dances under the moon, celebrates radio, and is stoned by drinking mountain water from a stream.  Van’s celebration of love and nature is the music itself.  



Friday, April 27, 2012

HONEY FOR THE BEARS BY ANTHONY BURGESS


HONEY FOR THE BEARS by Anthony Burgess is non-stop action.  It’s basically one awkward scene after another with no time for narrator or us to catch our breath.

The main character, Paul Hussey, is the owner of an antique store in London. He has given him a number of dresses to sell on the Russian black market to benefit the widow of a recently deceased friend who he fought with in WWII (and who was making a living smuggling things into the USSR). A recently imprisoned composer named Opiskin that both Paul and his friend were fans of is also repeatedly brought up.
   
When we first meet Paul, he is on a cruise liner headed for Leningrad.  His American wife, Belinda, has developed a painful rash and is spending all her time in their stateroom.  The Russians Paul encounters on the ship and also in Leningrad are at times lazy, dishonest, corrupt, overly informal, and have a habit of drinking too much.  They are also imbued with a fervor for communism that is not unlike those who follow a particular religion with fanaticism.  The religion cannot be questioned.

The tone of this book is humorous – Paul’s dentures becoming loose due to a Russian customs officer seizing the tube of his bonding agent, another male character donning a dress and attempting to get out of Russia using Paul’s wife’s passport, Paul’s continuous run in with a pair of bumbling Russian secret police.

There is also a sideplot about Paul finding out about Belinda having a lesbian affair and Paul himself struggling with sexuality as its revealed that he has some gay issues as well.  All of this creates a crash bam narrative.  This is Burgess’s fastest paced novel and it works because of the humor.

I would have liked more of an explanation for what was going on.  However, it’s still an enjoyable read and never gets too heavy into Cold War politics although I did like the final question about the elusive nature of freedom.  One of Burgess’s lighter books to be sure.


    

Wednesday, April 25, 2012

THE ART OF WRITING CAPUSLE REVIEWS/ 70'S REVIEW PROJECT - GANG OF FOUR - ENTERTAINMENT, NEW YORK DOLLS-NEW YORK DOLLS, BLACK SABBATH - PARANOID, T REX - ELECTRIC WARRIOR, MAGAZINE - REAL LIFE


Currently, I am taking part in a poll documenting the 100 best records of the 1970’s as part of a music group I belong to in Facebook.  Once the poll is closed and the records are selected, the 100 top records each receive a capsule review extolling its virtues.

I am writing a few of these and it got me thinking about the art of writing capsule reviews.  Saying everything you want in four or five lines or even less.  You have to find a hook, a stand-out detail of each record in order to pare it down like this.  A very good example of this is Robert Christgau even if I only agree with about half his opinions.  His record guide books of the 70’s and 80’s are all capsule reviews.

I tried to make a list of my favorite records of all time but it got very sloppy http://rgdinmalaysia.blogspot.com/2011/08/my-top-500-records-of-all-time-100.html I had to post an addendum as well

What I think might be better is if I slowly post capsule reviews for my favorite records of the 70’s – five each time.  I will also do for the 60’s and the 80’s.  In the case of the 80’s, I may need to split up into two parts 100 best of 1980 to 1984 and 100 best 1985 to 1989.  When I am done who knows maybe I will come up with a better more organized best records lists but this time do it by decade.

Here’s the first five:

ENTERTAINMENT by Gang of Four (1979) An anti-capitalist message, feedback laden guitar, and a funky rhythm section seem like an impossible combination but it works here, oh does it work, Composed of equal parts head and heart and perhaps the greatest rhythm section of all time, this swings. 




THE NEW YORK DOLLS by The New York Dolls (1973) While attempting to mimic The Rolling Stones, David Johanson and Co. come up with a completely new form of music. The future is Johnny Thunders' guitar and it barrels forward like a subway train as big as Frankenstein.




PARANOID by Black Sabbath (1970) The problem with Black Sabbath’s records was consistency. This was their most consistent record and we see Ozzy’s Osbourne’s wailing, Tony Iommi’s juggernaut riffs, Geezer Butler’s sludge bass, and the underrated Bill Ward, a faster John Bonham, lock into something that can only be called heavy.




ELECTRIC WARRIOR by T Rex (1971) The true father of glam sets down the template – kitchen sink arrangements, ridiculous lyrics, breathy overblown vocals, the result is grand, majestic, something out of the heavens.  Often emulated, never equaled.




REAL LIFE by Magazine (1978) Howard Devoto’s obtuse vision finds the right musical accompaniment on Magazine’s debut. Over busy keyboards alternating electronics and piano, strafing guitars and Barry Adamson’s bubbling bass, Devoto spins his surreal lyrics like the anti-Dylan and their music hangs on his every word like the Band’s.



  

Monday, April 23, 2012

THE SPECTATOR BIRD BY WALLACE STEGNER


 “I’m just killing time until time gets around to killing me”

What THE SPECTATOR BIRD is ultimately about is open to any number of interpretations by the reader.  It is a book about someone who has watched most of their life, observed their surroundings.  What they did with this is the question.

Joe Allston, the main character, is a retired literary agent living outside San Francisco in a rural setting with his wife Ruth.  He is 70 years old and suffering from the usual old people problems including a recent bout with heart disease.  The book’s first section is largely devoted to his daily complaints about growing old as well as those of his equally elderly friends and neighbors.

A visit from a flashy Italian writer Joe used to represent sparks some past memories and he and his wife end up re-reading a journal he kept of a trip to Denmark they took 20 years previous.  There, Joe and Ruth befriended a countess whose apartment they sublet and shared.  The story of the countess, her family, and their relationship with Joe are the story.

However, it is a singularly different story and I didn’t see at all what it had to do with the other story set in the present of the aging process and the regret felt (mostly to do with the death of Joe’s son some years previous which I believe is the central theme of an earlier book ALL THE LITTLE LIVE THINGS which I have not read).

That’s not to say it’s bad but the last 1/3 goes in a truly bizarre direction-it almost becomes like a horror novel for awhile.  I expected an affair between the countess and Joe (which doesn’t happen) as I felt that was where the book was headed but what happens is totally out of the blue.

I like unpredictability.  When I started this book I felt it was just going to be about stodgy old people (which it is a bit) but it also ended up being weirdly imaginative and has a few pungent statements to make on the subject of family.

Joe is a spectator although his life has been rich and full.  He has observed human foibles and perhaps thinks he should have been more engaged at certain points of life himself.

Of the four books I’ve read by Stegner, this was the most outside the box.  My other Stegner reviews are here.     





 

Saturday, April 21, 2012

RESTAURANT REVIEW - RESTORAN SERI MALAYSIA (IN IPOH, MALAYSIA)


Here’s my stab at a restaurant review – Something I did for my high school newspaper and once or twice when I was a stringer writing for a couple of local newspapers in Northern California many years ago.

The Restoran Sri Lido (Malaysian spelling) is located in downtown Ipoh next to The Store across from the Pizza Hut.  The building the Lido is in used to be a movie theatre which is apparent from these photos.



































During the day on Saturday, it is very quiet.  The dinner crowd is what keeps the place going.  It can also be rented out for events.

We’ve eaten here a few times before and always enjoyed the food and the service.  However, this time when we got our menu, we noticed the absence of pork dishes.  When we asked about this, we were informed by our waitress they had new management and had shifted to a halal menu to attract a bigger clientele (Muslims).  In keeping with that, our waitress was a Malay.

I am happy to report though that this made no difference to either the food or the service which were both great.

We had the following dishes – sweet and sour fish, lemon chicken, yam basket, long bean in garlic sauce.  A radish in chicken stock soup was also included as was rice.  Lido does not skimp on the rice unlike other Chinese restaurants.



The yam basket was also served with chicken and the result was just a wonderful blend of flavour with the yam being the foundation that tied it all together. The sweet and sour fish was a delicate balance of flavours.  The lemon chicken was the highlight of the meal-boneless and crunchy with a genius lemon glaze that was neither too sweet nor too sour-just perfect.  The soup was a great way to start the meal as the taste of the broth was muted enough to advance the pleasant flavor of the radish

All in all, a fantastic meal ata good price (rm44 including two drinks) and great service in an interesting looking building.  The problem with a lot of Chinese restaurants is the rudeness and poor service of the staff.  This sometimes borders on racism as Chinese will often serve Chinese customers before other races and also before foreigners.  I therefore think it’s a good thing to encourage 21st century thinking among Chinese restaurants and I will definitely be patronizing Restoran Seri Lido in the future.

    

     

Wednesday, April 18, 2012

RANDOM THOUGHTS AND PREDICTIONS ABOUT SEASON FIVE OF BREAKING BAD


Any number of things could happen in the final season of BREAKING BAD.  Walter has now eliminated every immediate criminal threat to himself, Jesse, and any future business prospects (except for Gus’s bodyguard and henchman Mike who was left behind in Mexico where he is being treated for serious gunshot wounds)

Where does the show go from here?

Zach Gilligan, Breaking Bad’s creator, has said the show is going to get “Shakespearean” and star Bryan Cranston has said that we are going to get to know Walter White’s dark heart.

Both of these quotes would seem to hint at a very dark final season with lots of death as well as revelations on Walter White’s past.  When it comes down to it, there still is much we do not know about him.

I have some ideas and suggestions I’d like to offer about the final season.

It’s assumed by many that Walter is going to die.  It was his impending death from Cancer that caused him to become a crystal meth cook to begin with and he has also operated very close to death at the hands of others throughout the show.  Walter has always stated that the safety of his family came first and everything he does is for them.  So wouldn’t it be a great irony if everybody but Walter died???? That is Skyler, Walter Jr. etc. ending with Jesse his surrogate son?

It was revealed in the last few episodes of Season Four that Gus Fring was part of large corporation.  Whether he owned this corporation or was just an employee will be shown but wouldn’t it also be ironic if Elliott and Gretchen turned out to be behind this corporation?  I do think we need further resolution on what happened between the three of them that caused Walter to not associate with them anymore and feel cheated out of his share of their profits from them working together.

Walter’s relationship with Hank who I believe will quickly figure out Walter is Heisenberg now that all distractions have been removed will be of prime importance in Season 5.  I wouldn’t be surprised if there was a security camera inside the nursing home that caught Walter.  We know at least one old lady saw him skulking outside Hector Salamanca’s room.  I feel Walter will have to deal with Hank.  It would be easy to kill Hank and make it look like an accident.  I see Walt or Jesse killing Hank.

Walter, a very angry man underneath everything for reasons that have not completely been explained, has gradually stripped himself of everything.  I do not believe he cares that much for his family anymore and I wouldn’t be surprised that in addition to Hank he sacrifices one or more of them to save his own skin (or Jesse's who I believes he loves more at this point).

Here’s an outside the box scenario – Walter is attacked by a shadowy nemesis that gradually kills everyone around him during the season.  In the end it is revealed to be Walter himself who has developed a split personality and at the end must fight himself or Jesse.

I hope they don’t take the route everyone expects – The cartel returns and Walter becomes Scarface until he is killed in battle at the end in a big dramatic burst of violence.  That would be too predictable!

Walter and Jesse being the only two combatants left and turning on each other like rats makes more sense.  Will Jesse ever find out Walter let Jane die and poisoned Brock?

I also look forward to seeing more of Bob Odenkirk as Saul Goodman – He’s hilarious and one of my favorite comedic actors.